Picture Framing

A framed picture or artwork forms a complete package that should look great. The finished piece will most likely hang in a home or office and will probably be viewed mostly by the owner. With the finished piece looking good, the chances are it will look good to others as well.
Knowledge of the basics in picture framing, can be very helpful in shopping with greater certainty, giving more familiarity with picture frames and the picture framing process. Let’s talk about various components of a picture frame.
There are four key areas that require considered thought, 1) Frame, 2) Mat, 3)Mounting Board and 4) Glass. The diagram below shows each of these components in the order in which they are placed into a picture frame. Each of them have unique characteristics that are useful to understanding when buying a frame. We now cover each of these briefly.
1) Frame:
The best quality frames are made of either metal or wood. Wooden frames usually have a warmer, more inviting and traditional look. This is desirable for certain pieces of artwork such as a painting, a rich colour photograph or a heirloom piece.
In contrast, metal frames, with their straight edges and sharp corners, tend to portray a bolder and more contemporary, even industrial look. Metal frames are commonly used for black and white photography and other modern media.
2) Mat:
This is probably most complex step in a picture frame. The matboard is the coloured material which is placed between the artwork and the glass. Its primary purpose is to put an air space between the glass and the artwork so that the two do not stick to each other over time. A secondary purpose of matting is to create a border between the frame and the artwork, thereby drawing the viewers eye inward, towards the piece.Example diagram of a picture frame

There are 3 distinct decisions to make with regards to matting. These are deciding upon a quality grade, the number of layers and which colours(s) to use. Grade refers to how well the mat materials will preserve the artwork over time. Preservation is measured by the acidity level (pH-value) in the mat. The more acidic the material the quicker the mat and the artwork will deteriorate over time.

3) Mounting Board:
Once the matting has been selected, the decisions become much more straightforward. Mounting board, also called foam board, is the back of the frame and it is what the artwork is attached to. Sometimes cardboard is used as a mounting board, but many framers recommend against this because cardboard is very acidic and will quickly yellow the artwork. Our high-quality mounting boards has a polystyrene core which is bonded between two paper covers. They have a smooth surface, resist warping and will cut cleanly. Of course, we do the cutting for you.
3) Glass:
The last step is to choose what kind of glass, or glazing, one would like in the frame. Glazing is the cover that protects everything in a frame. As with matting, glazing is optional and certainly not required. Of course, without glazing the artwork will be readily exposed to any temperature and humidity changes, but this is more important for some pieces than others.
At Frame Oz Images, we offer various types of glazing; apart from actual glass, there are acrylic or Plexiglas options. There are various grades of glazing, standard glass, anti-glare, invisible, Ultra violet protection and all the way to museum glass; each has its place and desirability.
That’s it!
After following these 4 shorts steps, one will have completed the frame building process. Future pages of our website we will discuss various aspects of picture framing in more detail as well as walks through this process step-by-step. As one follows the steps, there will be links which can click on for more information to help make a more informed decision.
If you would like to know more about any of the framing components give us a call at:-

Frame Oz Images or you can always call visit our showroom.

One Day Perfect

ONE DAY PERFECT – THE NEXT DAY EVEN BETTER

We all consider ourselves very fortunate to live in Cairns – the best place on earth. and indeed we are. A great lifestyle, perfect surroundings and a magnificent climate, but not for your art work and photographs.

ARTWORK & PHOTOGRAPHY. I can hear you saying, “What’s he talking about?” The dreaded word is “MOULD”. You might see it on your leather belts and shoes if you leave them in the wardrobe for a while, you can just wipe it off, give it a little polish and all is well. However it may also be in your artwork and photographs, without you even knowing about it. Until eventually you see funny coloured spots on your favourite original, print or on the only photo you possess of Grandma or Grandpa.

We all know that mould is bad, but the good news is that at FRAME OZ IMAGES we offer you the expert service of restoration to all forms of artwork and photography. These are two distinctly different professional areas of expertise.

Before we talk about restoration a few words about framing with high quality product to assist in the protection of your artwork and photographs. At FRAME OZ IMAGES we not only use professional qualified framers with the expertise required but we also use the framing items, mats, backing and ancillary products that are designed to perform well under the extreme climatic conditions of Cairns. Professional framing ensures that your artwork and photographs are protected.

However take the trouble, once a year, at the end of the wet season, to “get up close and personal” with all of your artwork and photos and have a quick but thorough inspection – seek advice from Frame Oz Images. For those lucky people who have relocated from further south and brought framed product north, there may be some issues for you to seriously consider. Away from the harsh tropical conditions of FNQ, framers do not need to utilise framing products that withstand these conditions. It is  possible that southern framers may use a backing material that has a potential to absorb atmospheric moisture. If the backing behind your artwork is moisture absorbent, you will find that in Cairns it is going to behave like blotting paper –– MOULD.

Should you be unfortunate enough to discover mould in your artwork, a professional restoration can be carried out to return it to its original condition and photos can  be restored and reprinted. Art restoration is carried out on the original piece, but with photos, the damaged photo is scanned onto a photographic computer and the technician repairs the image and prints a new photograph.